A camel carrying a load. A golden pair of balanced scales. An open heart and an open mind. These are three of more than two dozen artists' visions of justice and righteousness featured in the invitational exhibition, "Tzedek Boxes: Justice Shall You Pursue."
Related Blog Posts on Arts and Culture and Film
As 2022 draws to a close, it’s time to highlight some of the best Jewish content of the past year. Art, marriage, coming of age, healing, history, and antisemitism are all on display in a year that has had its fair share of public tumult.
"Good Night Oppy," a documentary streaming on Amazon Prime about the two robotic rovers that NASA sent to Mars in 2003, grabbed me by the heart. What I did not expect to experience from this movie was a potent lesson in parenting from NASA engineers.
Two films from acclaimed Jewish filmmakers have debuted during award season this year, each taking semi-autobiographical looks at troubled childhoods. Each picture delivers award-worthy performances from many well-known actors, including Anthony Hopkins and Michelle Williams as sure bets to score Oscar nominations.
Imagine that you travel back in time to 1934 – when Europe had no inkling of the catastrophic events lying ahead that would transform that continent forever. What would you photograph to capture the authentic essence of human experience at that liminal moment in history?
Even though Halloween began as a pagan holiday, it now brings spooky fun to children and adults of all backgrounds, including many Jews who view it more as a traditional holiday than a religious holiday.
We sat down with author and photographer Nomi Ellenson to discuss her work, how her Jewish values have shaped what she does, and her mission to help people of all ages and genders, to see themselves as b'tzelem Elohim, created in the image of the Divine.
Whether it is a lucky bracelet or a hamsa keychain amulet, superstitions believed to bring good fortune or ward off the bad are almost universal.
In this season, time is immutable. It can be questioned, but not changed. Family can be understood, but not altered. The self, in this case, the result of intergenerational trauma, must be accepted. In Russian Doll, the only way to see the good in the world is to stop looking back, to stop journeying inward, and to the wake up in the present.
Amy Albertson (she/her), 30, is a Chinese Jewish advocate and online educator living in Northern California. She works as a social media consultant for Jewish organizations.