The Elul Mitzvah Challenge: Join In!
In Pirkei Avot, the rabbis wrote, “Mitzvah goreret mitzvah, averah goreret averah,” one mitzvah (commandment/good deed) leads to another mitzvah, and one transgression leads to another transgression.
The (Circle) Spiral of Jewish Life
We often think about the cycle of the year-the change of the air in the fall, or the blossoming of new life in the spring-and we see a circle.
How Living in Switzerland Taught Me About Anti-Jewish Bias
During the height of the recession, I moved to Switzerland. I had already lived in France, Japan, India and Israel, and traveled much of the rest of the world.
The Music of N’ilah – Part One
By Cantor Barbara R. Finn
Take Action to Support Transparency in the Criminal Justice System!
Urge your Senators to introduce and pass this important legislation. Take action now!
7 Jewish Endeavors to Make 5782 a Sweet New Year
Jewish Institutions Must Also Do T’shuvah
Cheshbon Hanafesh for Your Congregation
Being Jewish in Indonesia
The way that Reform Judaism has taken the texts of our tradition, with the traumas of our past, to create a transformative responsibility to pursue social justice is a point of pride for me in my Jewish identity. So, when I was asked not to mention that I a
Remembering Holocaust Victims and Heroes with Music
In North America, Holocaust remembrance services and programs often include special musical selections in memory of people lost during the war and in honor of those who fought against the Nazis. Such music is profound and varied, and often was used as a vehicle of resistance. For example, “Zogt Nit Keynmol” (“Never Say That You Have Reached the Final Road”) was written in April 1943 in reaction to news of the Warsaw Ghetto uprising. Composed in Vilna by underground fighter Hirsh Glick and set to a Soviet cinema tune by Dmitri and Daniel Pokrass, the song spread like wildfire throughout Eastern Europe, becoming the official hymn of the partisan brigades.