For Yom HaShoah: A Journey of Return and a Search for Bones
On Yom HaShoah, which falls on April 28, I will remember the six million Jews who died in the Holocaust – and I will be thinking about a little town in the northeast corner of Lithuania, and a white-haired man searching for a
Giving Meaning to Holocaust Remembrance
Much ink has been spilled since the release of the Pew Research Center survey on Jewish identity in the United States.
Yom HaShoah: A Call for Memory that Animates Action
Zachor. A powerful imperative to remember. An anthem in opposition to forgetting. A symbol of the Jewish approach to history: zachor, remember, remember as if you experienced it yourself.
To Honor, To Bless, To Name
Recently I read about a newly published book that lists every single one of the six million people killed during the Holocaust.
Unless You Know: A Poem for Yom HaShoah
Unless you know
what it is to look
at black & white proof
at lambs led to slaughter
at herds of the lost
What an Atheist Belgian Musician Taught Me about Judaism
As a teenager, I would sit on my bedroom floor listening to old records of Belgian singer-songwriter, poet, and performer Jacques Brel. I didn’t need to keep a journal, because his lyrics wove together everything I felt at the time. Brel had a fire within, and his anger, longing, passion, and truth blazed through every word he sang. His music, raw and real, transformed and fed my soul; it informed and shaped who I am today.
Being Jewish in Indonesia
The way that Reform Judaism has taken the texts of our tradition, with the traumas of our past, to create a transformative responsibility to pursue social justice is a point of pride for me in my Jewish identity. So, when I was asked not to mention that I a
Remembering Holocaust Victims and Heroes with Music
In North America, Holocaust remembrance services and programs often include special musical selections in memory of people lost during the war and in honor of those who fought against the Nazis. Such music is profound and varied, and often was used as a vehicle of resistance. For example, “Zogt Nit Keynmol” (“Never Say That You Have Reached the Final Road”) was written in April 1943 in reaction to news of the Warsaw Ghetto uprising. Composed in Vilna by underground fighter Hirsh Glick and set to a Soviet cinema tune by Dmitri and Daniel Pokrass, the song spread like wildfire throughout Eastern Europe, becoming the official hymn of the partisan brigades.