What an Atheist Belgian Musician Taught Me about Judaism
As a teenager, I would sit on my bedroom floor listening to old records of Belgian singer-songwriter, poet, and performer Jacques Brel. I didn’t need to keep a journal, because his lyrics wove together everything I felt at the time. Brel had a fire within, and his anger, longing, passion, and truth blazed through every word he sang. His music, raw and real, transformed and fed my soul; it informed and shaped who I am today.
The Music of Avinu Malkeinu
In the game “Truth-or-Dare,” I choose “truth” nearly every time. I’m not much of a dare-taker. Thus, if you and I were playing “Special Edition Truth-or-Dare: High Holy Days,” I would confess that the prayer Avinu Malkeinu provides me with both my second-favorite liturgical moment and my second-greatest pet peeve of the year’s liturgy. (Note: Even though I may have to repent for it, I will leave you in suspense about my favorite liturgical moment and my greatest liturgical pet peeve. Also, “Special Edition Truth-or-Dare: High Holy Days” is fictional, although I hereby declare copyright in the event Mattel or Hasbro comes knocking at my door.)
Acharei Mot: Love and Death
The opening line of this portion, "The Eternal One spoke to Moses after the death of the two sons of Aaron who died when they drew too close to the presence of the Eternal" (Leviticus 16:1), reminds us that the holy is not only attractive, but also dangerous.
The Power of Tears
Why does the Torah mention the deaths of Nadab and Abihu here in Acharei Mot, when the story of their deaths was told in its entirety in Parashat Sh'mini? What is it that the Torah is trying to teach us through this repetition?
You Are What You Wear
He shall be dressed in a sacral linen tunic, with linen breeches next to his flesh, and be girt with a linen sash, and he shall wear a linen turban. They are sacral vestments; he shall bathe his body in water and then put them on. (Leviticus 16:4)
A few years ago, I was in Jerusalem in a Chasidic neighborhood, surrounded by stores carrying tallitot, kippot, and all sorts of Judaica. To my utter shock, prominently displayed in one store's window was a bright pink tallis! I went inside and started talking to the owner, a Chasid in full regalia: black coat, knickers, side curls, and fur-trimmed shtreimel hat. "Who would buy a pink tallit?" I asked. "A bat mitzvah girl of course," this Chasid said, with no hesitation. ". . . no, not the girls in my community," he added, "but in yours, sure, why not?"
Rethinking the Holy Days
I’ve come to the conclusion we need to change the date of Simchat Torah. Our Jewish festivals must be re-envisioned as inspirational community gatherings of joyful spiritual Jewish celebration. Every single festival needs to be a time of great community involvement and meaning.
Lessons in the Mirror
Wrestling with Forgiveness
Sounds of Kol Nidrei
Preparing for the Days of Awe
During the year I spent studying in Jerusalem as a rabbinic student, it was impossible to escape the upcoming High Holy Days.