In the game “Truth-or-Dare,” I choose “truth” nearly every time. I’m not much of a dare-taker. Thus, if you and I were playing “Special Edition Truth-or-Dare: High Holy Days,” I would confess that the prayer Avinu Malkeinu provides me with both my second-favorite liturgical moment and my second-greatest pet peeve of the year’s liturgy. (Note: Even though I may have to repent for it, I will leave you in suspense about my favorite liturgical moment and my greatest liturgical pet peeve. Also, “Special Edition Truth-or-Dare: High Holy Days” is fictional, although I hereby declare copyright in the event Mattel or Hasbro comes knocking at my door.)
There are many elements which make the High Holy Days a unique experience. Often, congregations swell to double or triple their usual size, the musical settings of even common liturgy are different, and some might alter their dress by wearing either traditionally all-white garments or more formal wear than they would sport on Shabbat. Some congregations even have unique garments to dress their Torah scrolls in white.
One of my most precious possessions is a copy of the Talmudic tractate Kiddushin printed in Munich in 1946 on presses once used for Nazi propaganda.
Jewish tradition gives structure to many aspects of mourning as a way to create order at a time when mourners may feel unmoored.
“On Rosh HaShanah, the year’s decree is written, and on Yom Kippur it is sealed, who will live and who will die…”
Nothing is more intimidating than leaving your comfort zone, facing a mix of new people, routines, and cultures – especially when you're doing it alone. I’ll never forgot how it felt when I left for college, a New York girl heading to school in the Midwest.