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The Comedown
There is pleasure to be had in a work of fiction whose scope spans two generations. Characters are introduced or shown in flashbacks as children, and we see how they fulfill – or don’t – the expectations placed on them by their parents, or how traumas they experience later come to bear. In The Comedown (Henry Holt) – as in Homegoing, Yaa Gyasi’s recent epic of the African diaspora, or Amy Tan’s classic The Joy Luck Club – Rebekah Frumkin explores the ways in which choices made by parents echo through children and grandchildren for decades