Courtney Naliboff

What do we choose to show to others, and what do we keep hidden? How do we curate our public face?

There is pleasure to be had in a work of fiction whose scope spans two generations. Characters are introduced or shown in flashbacks as children, and we see how they fulfill – or don’t – the expectations placed on them by their parents, or how traumas they experience later come to bear. In The Comedown (Henry Holt) – as in Homegoing, Yaa Gyasi’s recent epic of the African diaspora, or Amy Tan’s classic The Joy Luck Club – Rebekah Frumkin explores the ways in which choices made by parents echo through children and grandchildren for decades

The specter of a flood-swept future is all too easy to envision. In the past two years alone, catastrophic floods have inundated parts of Maryland, Texas, and Louisiana

Adolescence, otherness, and Apartheid make a literally explosive cocktail in National Jewish Book Award winner Kenneth Bonert’s new novel, The Mandela Plot. Half hyperbolic adventure and half historical fiction, Bonert elevates his unlikely hero, Martin Helger, to almost mythic status, while reminding readers both of South Africa’s Jewish diaspora and the horrors of Apartheid.